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Letts of
London
classic A5 "Day to a Page" diary
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I live by my schedule.
I write down
what needs to get done in a Letts of
London
classic A5 "Day to a Page" diary. It is a script from which I
act
in life's play. I
eschew
a digital repository for my schedule. Pencil and paper works well
even if they harken to a bygone era. Although everything that I
need to get done is
written
in my diary, there is still plenty of unscheduled time with which
to be spontaneous. And three months or so from now, I've got not
much scheduled at all.
An accomplished colleague of mine keeps a schedule too. But hers is
a very different order of schedule than mine. How so,
Laurence?
For one, if you want to know what she'll be doing
ten years
from now, it's in her schedule. Two, whereas my schedule's slots
are mostly a half hour to an hour's duration, her schedule for the
next
ten years
comprises fifteen minute slots. In other
words,
she's already scheduled what she'll be doing in quarter hour
increments for the next
ten years.
Now before you go on a tear about that being the antithesis of
being spontaneous,
consider
being spontaneous is largely a matter of being creative. So rather
than delay being creative until the mood strikes, she's scheduled
the time to be creative ... in quarter hour increments ... for the
next
ten years.
So much for the antithesis of being spontaneous.
One day I happened to notice her calendar open on her desk. While
it was none of my
business,
I couldn't help but see it. Every quarter hour slot for the next
ten years
was annotated and color coded ... every one that is, except for a
few dispersed throughout the page which were un-annotated and
un-colored. What were they? "What is with all the empty white
slots?" I inquired. "Oh, those? They're in case of
curveballs.". Curveballs? I'm sports-illiterate. I had to
look it up.
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