I am indebted to Dennis Caudill and to Wernher Krutein and to Lyn
Malone and to Kenneth Yamamoto and to Wayne Williams and to Anita Lynn
Erhard and to Randy Green and to Fred Ortiz and to Robert Buelteman Jr
and to Keth Luke and to Angelo D'Amelio and to Phyllis Ford and to Tom
Fitzsimmons and to Silent Sensei and to Daniel McAlpine and to Michael
Schropp and to James Wilson and to Sudan Bey and to Ray "Scotty"
Morris and to Mehul Mehta and to Ashish Vidyarthi and to Commander
Subroto Das,
Indian
Navy and to
Steve Zaffron
and to Gurmeet Khurana and to Chaitanya Chaddha and to Suzi Pomerantz
and to The
Friends
Of Werner Erhard and to Breakthrough Racing and to
Symon Productions
and to Screen Media Films and to Der Spiegel and to The Werner Erhard
Foundation and to Harvard Kennedy School's Center For Public
Leadership
and to Bussa Studios and to Werner Erhard and Associates who inspired
this conversation, and to Anita Lynn Erhard and to Elizabeth Russell
and to Barry Colton and to Clare Erhard and to Wernher Krutein and to
Mehul Mehta and to Commander Subroto Das,
Indian
Navy and to Gopal Rao and to Sudan
Bey and to Cindy Peralta-Bey and to Cheryl Ulrich and to Judy Golden
and to
Robyn Symon
who contributed material.
The spread of photographs of Werner in this catalog covers a range of
years. Many people will remember Werner in the former years. Some
people have only met Werner in the latter years. Most people who've
experienced Werner
face to face
first saw him somewhere in between.
This catalog of photographs of Werner shouldn't be construed simply as
a compendium of snapshots. In fact, if that's how they do play
to you, then I would have failed in my intention to make them
available.
If you're
awake
to it, you'll see the
face
of
transformation
everywhere in this catalog. The
face
of
transformation
is eternal, timeless, out of time. It's been around forever, yet
it dances with us freshly and enthusiastically in all these new
successive moments of now, playing, teasing, calling
forth.
There's no significance to the order in which the photographs are
displayed here. Some are in the order in which they first appeared in
these
Conversations For
Transformation.
Some aren't.
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