I am indebted to Dennis Caudill and to Wernher Krutein and to Lyn
Malone and to Kenneth Yamamoto and to Wayne Williams and to Anita Lynn
Erhard and to Randy Green and to Fred Ortiz and to Robert Buelteman Jr
and to Keth Luke and to Angelo D'Amelio and to Phyllis Ford and to Tom
Fitzsimmons and to Silent Sensei and to Daniel McAlpine and to Michael
Schropp and to James Wilson and to Sudan Bey and to Ray
"Scotty"
Morris and to Mehul Mehta and to Ashish Vidyarthi and to Commander
Dreyvan Dayse,
Indian
Navy (ret), and to
Steve Zaffron
and to Gurmeet Khurana and to Chaitanya Chaddha and to Suzi Pomerantz
and to Jo Fielder and to Elizabeth Handy and to Yousuf Karsh and to
Michael Shaun Conaway and to Gonneke Spits and to Barry Siegel and to
Ivan Vrhnjak and to Howard Hamburg and to Chris Wesselman and to Nick
Freeman and to
Friends
Of Werner Erhard and to Breakthrough Racing and to
Symon Productions
and to Screen Media Films and to Der Spiegel and to the Werner Erhard
Foundation and to Harvard Kennedy School's Center For Public
Leadership
and to Bussa Studios and to Werner Erhard and Associates and to the
Eranos Foundation and to the University of Rochester's Simon School of
Business and to the San Francisco Chronicle and to the University of
Pennsylvania's Bioethics Film Festival and to Storyworks and to the
Los Angeles Times and to UCLA (University
of California at Los
Angeles) and to the staff of the Office of Werner Erhard
and to Associated Press and to PBS (Public
Broadcasting Corporation) who inspired
this conversation, and to Anita Lynn Erhard and to Elizabeth Russell
and to Barry Colton and to Clare Erhard-Trick and to Wernher Krutein
and to Mehul Mehta and to Commander Dreyvan Dayse,
Indian Navy (ret),
and to Gopal Rao and to Sudan Bey and to Cindy Peralta-Bey and to
Cheryl Ulrich and to Judy Golden and to
Robyn Symon
and to JoAnne Bangs and to Rajendra Malik and to Bill Jersey and to
Charlene Afremow
and to Tim Hanni and to
Lorlett
Hudson
and
Dr James Doty
and to Chris Wesselman and to Miroslav Sázovský and to
Eva Sázovská Andriessen and Jane See White and to Josh
Cohen and to Juli Hall who contributed material.
The spread of photographs of Werner in this catalog covers a range of
years. Many people will remember Werner in the former years. Some
people have only met Werner in the latter years. Most people who've
experienced Werner
face to face
first saw him somewhere in between.
This catalog of photographs of Werner shouldn't be construed simply as
a
compendium
of snapshots. In fact, if that's how they do play to you, then I
would have failed in my intention to make them available.
If you're
awake
to it, you'll see the
face
of
transformation
everywhere in this catalog. The
face
of
transformation
is eternal, timeless, out of time. It's been around forever, yet
it dances with us freshly and enthusiastically in all these new
successive moments of now, playing, teasing, calling
forth.
There's no significance to the order in which the photographs are
displayed here. Some are in the order in which they first appeared in
these
Conversations For
Transformation.
Some aren't.
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